Beschreibung
The field of audiovisual media has changed dramatically over the last two decades. Until recently, the amount of audiovisual technology was still manageable, channels of distribution were few, the places where moving images were consumed were for the most part limited to cinemas, the domestic television set, and galleries or art museums. Also, both the producers and the audiences of such content clearly identified as human beings. Those days are over. The digitization of image production and distribution have proved a massive disruption to the traditional ecology of the moving image. This publication maps new contributors and new conditions for creative work in discussions of animal spectators, child producers, all-encompassing gazes and the marketing interests of big corporations, the origins of new formats and new practices in the widening sphere of audiovisual media. With contributions by Wolfgang Brückle, Samuel Frei, Maximilian Jablonowski, Marek Jancovic, Florian Krautkrämer, Alexandra Schneider, Fred Truniger, Axel Vogelsang, Birk Weiberg, Matthias Wittmann.
Autorenportrait
Wolfgang Brückle wurde im Fach Kunstgeschichte an der Universität Hamburg promoviert. Nach Museums- und Lehrtätigkeiten in Deutschland, der Schweiz und Großbritannien lehrt er an der Hochschule Luzern (HSLU). Zusammen mit Rachel Mader Herausgeber der HSLU-Schriftenreihe »745. Kunst, Design, Öffentlichkeit«. Von 2018 und 2019 an Leitung zweier SNF-geförderter Forschungsprojekte über Postfotografie und von 2019 an zusammen mit Rachel Mader Leitung eines dem Eingang von Performance-Kunst in Sammlungen gewidmeten SNF-geförderten Forschungsprojekts.
